Adriane Colburn’s exhibition reconstructs personal and social history through the study and reinterpretation of maps, photographs, and other historical documents. Frederick Loomis’ exhibition presents a series of graphite drawings by Edward Mathew Taylor, a fictitious individual constructed by Loomis in the attempt to focus attention on the artwork rather than the artist. Kerry Tribe’s exhibition investigates memory, perception, and subjectivity by exploring encounters with light through abstract imagery of colored light. Jessica Tully’s exhibition explores the intersection between performance and social sculpture, and often incorporates dance, political activism and Hip Hop culture.