Images of auction artwork as of April 18, 2008.
New images will be uploaded daily.
Check back often!
Artists to be featured in the Live Auction:
Adrianne Colburn, Christopher Duncan, Ala Ebtekar, Kota Ezawa, Tara Foley, Stephen Galloway, Benicia Gantner, Jim Goldberg, Doug Hall, Todd Hido, Terry Hoff, David Ireland
Chris Johanson, Yoon Lee, Michael Light, Kara Maria, Christian Maychack, Dennis McNulty, Paul Mullins, Hilary Pecis, Alena Rudolph and William Swanson, Andrew Schoultz, Leslie Shows, Jennie Smith, Tracey Snelling, Weston Teruya, Catherine Wagner, and Carrie Mae Weems.
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Adriane Colburn
Untitled, aluminum and ink, 25" x 13 1/4", 2008
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Ajit Chauhan
Safe Travels to the Now/Ass You Like It, ink and graphite on paper, 17 1/2" x 13", 2007
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Ala Ebtekar
Untitled (Study for the Synthetic Epic), graphite on paper, 14" 8 1/2", 2006
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Alika Cooper
Twiggy, gouache on paper (framed), 11" x 11", 2007
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Alison Pepworth
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Amy Berk
Recoverings (blush twice), linen and thread, 31" x 13", 2006-7
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This piece is part of a series reflecting on surface, memory, and the idea of the table that was exhibited at the Magnes Museum in 2007. Playing with optics and illusion, and using stains as the markings of time and experience, the napkins making up Recoverings (blush twice) are presented as paintings, providing a space for reflection as well as a platform for aesthetic contemplation.
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Andrew Schoultz
Bound to Destructive Manors; ink, arcylic and gouche on paper; 10" x 10"; 2008
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Apollonia Morrill
Transbay Transit Terminal, San Francisco, CA; aluminum-mounted chromogenic print; 20" x 20", 2004
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Benicia Gantner
Stone City, Striped Sky; vinyl on paper; 25" x 37" (framed); 2006
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billy o'callaghan
potato (Local, Organic Sample), polaroid construction (original), 4" x 8" (7" x 12" framed), 2006
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the first photo in the series "polaroid samples", life-sized portraits of subject matter found in daily life in san francisco at the beginning of the 21st century. these environmental self-portraits have a 1-1 ratio with the items depicted.
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Brion Nuda Rosch
Study on Optic Illusion (For SoEx), Paper on Found Book Page, 10" x 17", 2008
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Bruce Tomb
Portal #10, (de)Appropriation Project, mixed media, 80" x 24.5", February 8, 2004
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One of twelve "Portals" from 2/8/04. The entire wall up to 80" was skinned.
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Carrie Mae Weems
I Beseech You, chromagenic print, 20" x 24', 1996
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Casey Jex Smith
Heavens, mixed media on paper, 13" x 13" (framed), 2007
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Catherine Haley-Epstein
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Catherine Wagner
Delilah Back, lambda print, approx 20" x 24", 2005
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This is a unique print from the series "Re-Classifying History" that was exhibited at the inaugural xhibition at the de Young Museum.
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Charlene Tan
Scales, mixed media, 14" x 7". 2008
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Chris Bell
Untitled, acrylic and masonite, 12" x 12" x 12", 2007
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Chris Duncan
Apathetic America..., mixed on panel, 16" x 15", 2006
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Chris Johanson
Perception #4, color sugarlift aquatint etching, 22 3/4" x 28 3/4", 2007
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Chris McCaw
About to Hear the Rail Ding, Santa Nella Pool, CA, 2003 (#1/25); platinum/palladium direct contact print; 7" x 17"; 2003
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Chris Sollars
FREE TIBET MADE IN CHINA, pencil on paper, 8.5" x 11", 2008
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FREE TIBET button made in China
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Christina Mazza
Sea Grass V, archival limited edition print of ball-point pen drawing, 14" x 17" (framed), 2007
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Christina Mazza
Forsaken Aricles: Human I, archival limited edition print of ball-point pen drawing, 14" x 17" (framed), 2007
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Christopher Culver
House, gouache and watercolor on mylar, 23" x 35 1/2", 2008
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Claire Droney
First in a series of disappointments; photography, graphite and acrylic on rag paper; 16" x 20"; 2008
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Cliff Hengst
Saved by Zero, collage on paper, 5" x 8", 2008
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David Fought
Untitled two 2squares, burnt wire and plaster, 7" x 15" 10", 2008
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Similar to a single musical note being the basis for complex melodies, this sculptural moment embodies a simple gesture of how all objects appear as they do. Utilizing line, surface, and volume, I strived for a synergy in the object. When a zenith of sculptural elements is reached the sculpture visually hums. This work finds objecthood the way that color usually finds emotion.
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David Ireland
Dumball, concrete, 3 1/4" x 3 1/4" x 3 1/4"
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David King
It's Almost Time #1 (5 of 15), archival digital print, 8 1/4" x 8 3/4", 2006
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Dennis McNulty
She Must Talk to a Man Who was Ten Immensities Away, paint, solvent inks and vinyl, 17" x 36", 2008
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Part of a series of documenting and highlighting Southern Christian culture. Specifically, Southern White culture and its impact when backed or furled by religion.
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Deric Carner
Nordland, ink and acrylic on paper, 22" x 30", 2008
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Dharma Strasser MacColl
Combustion III; watercolor paper, silk thread, ceramic; 10" x 14". 2008
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Dhrama Strasser MacColl
Combustion III; watercolor paper, silk thread, ceramic; 10" x 14". 2008
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This is from a series titled "Growth Patterns". Each piece in the series invents a molecular structure.
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Dustin Fosnot
Washing Machine, styrofoam, die board, electronics, 5" x 5" x 5". 2008
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Electric Works Gallery/David Tomb
Ornate Hawk Eagle, pochoir print 6/10, 40" x 28', 2008
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Made with stencils.
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Emily Alden Foster
Untitled, mixed media, 12" 10 1/2", 2008
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Emily Sevier
Don't Leave, paper and acrylic, 15" x 20", 2008
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Forest Kelley
Untitled, Inkjet print, 16" x 24", 2007
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Frederick Loomis
DIOS Motherboard, graphite on paper, 9" x 12", 2007
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Circuit layout of the DIOS Neurocontroller depicting the underlying connectivity that defines the DIOS Software Switch, derived through the logic of the Soul Code.
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G. Cole Allee
Untitled from the Series Hwy IIIN, Photo (c-print), 30" x 40", 2007
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Hank Willis Thomas
Black Power, digital c-print, 10 7/8" x 18", 2008
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Heather Brubaker
A Special Thanks to Left-Handed Amino Acids, acrylic on panel, 16" x 16" x 2", 2006
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Heather Brubaker is an artist in San Francisco whose work explores connections, relationships and patterns inspired by physics, molecular biology, organic forms and the landscape, music, structures, systems and technology. "A Special Thanks to Left-Handed Amino Acids" derives forms from diagrams of proteins and Japanese patterns.
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Heather Sparks
Untitled, hybrid silkscreen drawing, 17" x 20", 2008
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Hilary Pecis
Untitled, ink and collage on panel, 10" x 8", 2008
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Ishan Clemenco
Untitled (six lines irgazine yellow/white) for René Daumal, ground pigment on Polaroid sleevepaper, 5" x 8", 2006
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Chalkline drawing on opacified polyester unfixed, unsuspended pigments statically impressed. Dedicated to René Daumal, French poet (1908 - 1944).
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James S. Pitt
Misty Rider, acrylic paint and wood, 2008
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Jaren Bonillo
Yosemite Valley through the Stereoscope, 3 stereocards and viewer, 2008
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Jason Byers
Jack the Ripper, acrylic on panel, 10" x 10", 2008
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Jeff Morris
031608, graphite on paper, 11" x 14". 2008
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Jennie Smith
Untitled, graphite, watercolor, 22" x 30", 2008
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Jennifer Starkweather
Untitled, ink, gouache, and scratches on paper, 8" x 6.5", 2006
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Jennifer Wofford
Inappropriate (Julio and Aldo), ink on mica paper, 8" x 11", 2006
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Jessica Snow
Untitled, acrylic on paper, 10" x 12", 2007
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Jim Goldberg
Town Water Hole, inkjet print, 10 3/8" x 8 1/4", 2006
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Job Piston
Untitled (Intersection), c-print, 16" x 20", 2007
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John Casey
Hummingbird, pen and ink on paper, 14 3/4" x 11 3/4" (framed), 2007
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John Herschend
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Joshua Pieper
Drawing with Detail, ink and sharpie on paper, 23" x 19", 2007
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part of a Drawing with Details series
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Julie Chang
Ginko Pony, acrylic and inkjet on paper, 17" x 31", 2007
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Julio Morales
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K C Rosenberg
Flapjacks with Dark Cloud, acrylic on canvas, a5" x 15.5", 2008
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Kari Orvik
Kite (from January 2003 Peace March), Color C-Print - unframed, 20" x 30", January 2003
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This photo was taken at a peach march in San Francisco before the U.S. invaded Iraq.
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Kathryn Kenworth
Untitled, acrylic on paper, 9 1/2" x 13 1/2", 2008
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Katrine Hildebrandt
Dust; Recordings of Transient Forms, watercolor on paper, 8 1/2" x 11", 2007
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Kerri Lee Johnson
Untitled (Prada Loafers), gouache and ink on paper, 12 1/2" x 16 1/2", 2008
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Kyle Mock
Spellcaster, acrylic on canvas board, 7" x 9", 2007
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A Spellcaster refers to a creature capable of casting magic spells.
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Lacey Jane Roberts
superhotwindsock; yarn, wooden dowel, wire; 10' x 5"; 2008
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Laura Mappin
Fuck Doily, thread and beads, 13 1/2" x 6", 2008
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Lauren Anderson
Folding Chair, Softly; fabric, poly-fil, buttons, thread; 18" x 40" x 2"; 2006
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Lauren Davies
Limits of All Known Ice/Drawing #2, graphite drawing on vinyl upholstery material, 13" x 16", 2006
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This drawing is from a series titled Limits of All Known Ice about the International Ice Patrol's procedures for counting and identifying icebergs. This drawing was on eof a series presented at Yerba Buena Center for the Arts' "Cultivating Creativity" exhibition in 2007.
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Leigh Wells
Untitled (Grey Tangle), acrylic on paper, 14" x 17", 2007
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My ongoing series of tangled drawings is an attempt to convey what I see as the overwhelmingly complex and unknowable nature of reality.
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Lena Wolff
Black Flowers and Cloud, acrylic, graphite, collage, and pinpricks on paper, 22" x 17", 2007
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Lisa Congdon
Radiolarians, gouache and pencil on scrap plywood, 19" x 19", 2007
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Lisa Ricci
New York Hello, graphite on paper, 9" x 12", 2008
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Maizie Gilbert
45, from the series Mostly After Dark, archival pigment print, 16" x 20", 2004
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This series of images describe a non-specific narrative. They are an attempt to capture a quiet still lingering, a kind of disassociation. It seems truer for this story to have gaps in it and not very much information about the ending. Like watching a movie in a foreign language without subtitles, apprehending the general narrative but escaping the details.
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Margaret Silverman
Israeli Tank, sumi ink on paper, 17" x 14", 2007
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Margaret Tedesco
Untitled 2007, digital color photograph on archival paper
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Maria Forde
MicroMoog (part of series called "Musical Instruments that I like because of how they look and sound"), hard ground etching on paper handcolored, 2008
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Marisa Aragona
from the series "Piles and Pyramids", Photo (c-print); 8" x 10", 2008
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Mark Luthringer
Excercise Machines, digital print (framed), 13" x 19", 2007
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From the series Ridgemont Typologies, which uses grids of digital images to examine the chaos, excess, and redundancy of our current age of consumption.
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Martin Machado
Untitled; gouache, fiberglass cloth, panel, epoxy; 15" x 32"; 2008
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Michael Bartalos
Trialogue, wood, wire, hardware, paint, and a plant, 16" x 9.5", 2008
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Michael Light
Montgomery Creek at 500', Benton, CA, from Some Day Space; pigment print on aluminum, handmade paper; 24 " x 30", 2003
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Michael Swaine
Now Watch; felt, linen, wood; small watch size, 2008
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Michelle Blade
Sweeping the Universe for the New Renaissance, acrylic ink on paper, 15" x 15", 2008
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Michelle Mansour
Little Mystery; acrylic, ink, silicone on muslin on panel; 11" x 14", 2005
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Misako Inaoka
Leo Aris, mixed media, 6 1/2" x 6 1/2" x 2", 2008
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This piece was made to start off a large hybrid series to be developed at the de Young Museum residency in March of '08. With the help of museum visitors, more than 300 new species were created during the residency program.
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Nathan Lynch
Posture, ceramic, fir, 28" x 24" x 8", 2007
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Nicole Hayden
Shot Through the Heart, mixed media, 12" x 17", 2008
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Noah Lang
Don't Worry About the Government, gouache, 14" x 11", 2008
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Oliver Rosenberg
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Owen Takabayashi
Untitled, twist ties and bread clips, 10" x 10" x 11", 2008
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Collected materials from street, friends, and family.
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Packard Jennings
Business Reply Panel (Panel #4), Archival Print, 10 3/4" x 7", 2006
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Paul Mullins
Blossom, Acrylic on Canvas, 21" x 24 1/2", 2004
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Rand Colosky
No Title; 40mm bullets, pen on target; 15" x 17"; 2008
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This piece was created at the Jackson Arms Gun Range.
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Rhea Fontaine
The Shining II, acrylic and collage on metal, 16" x 20", 2008
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Sandra Wong
Looking, graphite on paper, 8" x 12", 2008
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Sasha Petrenko
Terra Incognita, digital print (archival) and model, 2005-08
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Serena Cole
Spellbound; watercolor, colored pencil, and dye on paper; 19" x 23"; 2007
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This painting continues a theme of investigation about beauty and escapism in modern society. Its dark imagery is a nod tothe fundamental angst of our worshipped fantasies as well as tongue-in-cheek reference to Goth icon Siouxsie Sioux.
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Stephanie Peek
Judging By Appearances, oil on panel, 10" x 10". 2008
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Stephanie Syjuco
Strange Attractors (Empire Style), ink, gouache, and collage on Duralene, 9" x 12" (framed), 2008
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Tracings of objects from product catalogs and magazines are outlined to create aggregate "products" that are then juxtaposed with classical and Modernist furnityre. From a series of drawings called "Strange Attractors, Aggregate Economies".
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Stephen Galloway
Valentine 1/5; Lightjet c-print, mounted on aluminum with plexiglass facemount; 40" x 28"; 2005
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Suzanne Husky
Trees, used fabric, plaster, wood, 2' x 2' x 1.5', 2008
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Grove of a few trees of different species.
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Suzy Poling
Octopus, C-print, 24" x 20", 2008
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Tabitha Soren
Inheritance, 9801-12; c-print, artist proof; 16" x 20", 2001
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Tanya Hastings Gill
Left (Underskin Series); cut paper, foil, acrylic paint; 101/4" x 9 1/4"; 2006
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Tara Foley
Landscape number 12; gouache, tape, pencil; 34" x 34", 2006
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Terry Hoff
Domestic Structures, mixed media, 17 1/2" x 20", 2008
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The Thing
The Thing Quarterly, gift subscription
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Tia Factor
On a Hill Under a Raven Sky, We Dream of Rainbows; gouache and spray paint on cut paper; 11" x 14"; 2007
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This work was made while I was living in Tasmania, Australia, during a residency in 2007. Tasmania is a place where the weather changes so frequently people are fond of saying you experience all four seasons daily. I found this to be true and especially appreciated it while visiting a friend who lived way up in the hills with a fantastic view of the ever changing sky. The medium of gouache is great for capturing the random patterns of moisture in the cloudy sky during a rain storm.
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Timothy Buckwalter
Untitled drawing (04); acrylic ink, india ink, gallery tape, paper; 19 1/2" x 37"; 2008
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Todd Hido
Untitled, c-print, 8" x 10", 2008
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Tracey Snelling
Bernal heights, 4/5, chromogenic print mounted on aluminum, 16" x 20", 2003
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Tracy Timmins
With a View, oil on panel (framed), 24" x 24", 2008
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Featured in article of this month's (April) Artweek (pg. 15).
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Val Britton
building the future from the past, ink and collage on panel, 20" x 16", 2006
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Vanessa Marsh
Men Meeting, c-print, 13" x 19 1/2", 2008
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Weston Teruya
Keeping it Together (Back and Forth), ink, spraypaint, gouache, and cut paper collage on paper, 17" x 19", 2008
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William Swanson and Alena Rudolph
Elemental Navigation (Moving North), acrylic and acrylic ink on wood panel, 17" x 28", 2008
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Collaborative
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Yoon Lee
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Youmna Chlala
CitySmash; vellum, ink, lead, eraser, acrylic; 20" x 30"; 2008
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Zefrey Throwell
Syrian Nightmare Mirage, oil on canvas, 52" x 18", 2007
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It is the best painting ever.
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